Yet more of the same, kind of anyway.
Third knight painted during this run and the complexity just rises together with me remembering again how to paint. The color scheme for this one is taken from the coat of arms of Venice (or at least the one that appears in Europa Universalis). I decided to paint him with some extra ornaments, waves and little flowers on the blue fields - because I like Venice, I like this "Venetian Knight" and wanted to go extra mile for him. Also to test out some freehands.
I took a different approach with yellow, so unlike the previous knight, this is quite vibrant. Blue also turned out pretty nice, I am very glad with the color scheme here. It's only a shame I forgot that the heraldic beast in Bretonnia are supposed to be facing the front of the horse and be mirrored on two sides of the barding... I'll remember it next time.
Third knight painted during this run and the complexity just rises together with me remembering again how to paint. The color scheme for this one is taken from the coat of arms of Venice (or at least the one that appears in Europa Universalis). I decided to paint him with some extra ornaments, waves and little flowers on the blue fields - because I like Venice, I like this "Venetian Knight" and wanted to go extra mile for him. Also to test out some freehands.
I took a different approach with yellow, so unlike the previous knight, this is quite vibrant. Blue also turned out pretty nice, I am very glad with the color scheme here. It's only a shame I forgot that the heraldic beast in Bretonnia are supposed to be facing the front of the horse and be mirrored on two sides of the barding... I'll remember it next time.